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NEW QUESTION: 1
Which two options are valid for the number of bytes in a BGP AS number? (Choose two.)
A. 16 bytes
B. 2 bytes
C. 8 bytes
D. 6 bytes
E. 4 bytes
Answer: B,E
Explanation:
Explanation/Reference:
Explanation:
During the early time of BGP development and standardization, it was assumed that availability of a 16 bit binary number to identify the Autonomous System (AS) within BGP would have been more than sufficient.
The 16 bit AS number, also known as the 2-byte AS number, provides a pool of 65536 unique Autonomous System numbers. The IANA manages the available BGP Autonomous System Numbers (ASN) pool, with the assignments being carried out by the Regional Registries. The current consumption rate of the publicly available AS numbers suggests that the entire public 2-byte ASN pool will be fully depleted. A solution to this depletion is the expansion of the existing 2-byte AS number to a 4-byte AS number, which provides a theoretical 4,294,967,296 unique AS numbers. ARIN has made the following policy changes in conjunction with the adoption of the solution.
The Cisco IOS BGP "4-byte ASN" feature allows BGP to carry a Autonomous System Number (ASN) encoded as a 4-byte entity. The addition of this feature allows an operator to use an expanded 4-byte AS number granted by IANA.
NEW QUESTION: 2
企業が開発環境にAmazon Elastic Container Service（Amazon ECS）を使用しているのは、AWSがどのAmazon ECSコンポーネントを担当するのですか？ （2つ選択してください。）
A. ネットワークルール
B. ゲストオペレーティングシステム
C. IAM
D. ホストプラットフォーム
E. 物理インフラストラクチャ
Answer: B,C
NEW QUESTION: 3
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944 - just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It was
a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be more
accurate to say that the novel simply marked a turning point in his career, when Abe turned away from the
experimental and heavily political work of his earlier career. Fortunately, he did not then turn to furusato
and the emperor after all, but rather began a somewhat more realistic exploration of his continuing
obsession with homelessness and alienation. Not completely a stranger to his earlier commitment to
Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual of Japan's
rapidly urbanizing, growth driven, increasingly corporate society.
The author's attitude toward Marxism can best be described as
A. reverent espousal.
B. skeptical tolerance.
C. contemptuous derision.
D. respectful interest.
E. restrained impatience.
Answer: D
Explanation:
Explanation/Reference:
Explanation:
The author of this passage does express many strong opinions, but not in regard to Marxism. You can
therefore eliminate both A and (B) If anything, she/he is more positive than negative about the influence
of Marxism on Abe's work. Eliminate C and (E), which imply a negative bias. The answer is (D).
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